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JS BACH Violin Sonata No 4 SCHUMANN 3 Fantasiestücke

‘Oh my God! I would love to play with her’ is Itzhak Perlman’s exclamation in the single-page conversation that precedes...

Reviewed by David Threasher in issue: 10/2016

JS BACH The Art of Fugue

Since no one knows if Bach actually intended anyone to play The Art of Fugue at all – it was...

Reviewed by Lindsay Kemp in issue: 10/2016

MAHLER Symphony No 10

‘It seems that the Ninth is a limit. He who wants to go beyond it must pass away. It seems...

Reviewed by David Gutman in issue: AW16

BEETHOVEN Piano Sonata No 29

Grigory Sokolov’s 1975 recording of the Hammerklavier Sonata is a minute faster overall than his live account from the 2013...

Reviewed by David Fanning in issue: AW16

BRITTEN The Rape of Lucretia

Fiona Shaw’s production of Britten’s first chamber opera opened during the Glyndebourne tour in 2013 – the composer’s centenary year...

Reviewed by Tim Ashley in issue: AW16

GOLDMARK Königin von Saba

Die Königin von Saba was the work that put its Hungarian-Jewish composer on the operatic map at its first performance...

Reviewed by Tim Ashley in issue: AW16

Hidden Music of the Russian Church

This is an astounding recording, on account of both the repertoire selected and the quality of the singing. The choir...

Reviewed by Ivan Moody in issue: AW16

KRENEK Reisebuch aus den österreichischen Alpen

Ernst Krenek wrote his Reisebuch – the text as well as the music – in a few weeks in the...

Reviewed by Tim Ashley in issue: AW16

BEDNALL Stabat Mater

This is the fourth Regent CD to feature music by David Bednall (b1979), one of Britain’s leading choral composers. The...

Reviewed by Malcolm Riley in issue: AW16

Pierre Hantaï: SCARLATTI Keyboard Sonatas

That this is the fourth volume of Scarlatti sonatas by Pierre Hantaï reminds us that he is no newcomer to...

Reviewed by Lindsay Kemp in issue: AW16

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