Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
‘Crescendo’ is a puzzling title for Stefano Secco’s collection of Italian and French arias, given that he sings most of...
Reviewed by Mark Pullinger in issue: 10/2016
Marita Sølberg’s name is only familiar to me through editing reviews from Norwegian National Opera, where the soprano has built...
Reviewed by Mark Pullinger in issue: 10/2016
Last year’s new Parsifal from Berlin is not made bitingly contemporary but gently updated. Its Grail knights, bearded and winter-clothed,...
Reviewed by Mike Ashman in issue: 10/2016
Raphaël Pichon and Pygmalion have already recorded the 1744 version of Dardanus on CD (Alpha, 4/14). The opera was first...
Reviewed by Richard Lawrence in issue: 10/2016
Valery Gergiev and his Mariinsky Opera have a self-defeatingly arduous schedule, but catch them firing on all cylinders in one...
Reviewed by David Gutman in issue: 10/2016
Mozart seldom put pen to music paper without a confirmed commission, but one notable exception is the Singspiel he started...
Reviewed by David Vickers in issue: 10/2016
Its Roman theme notwithstanding, this particular programme has been designed with an eye to the market: Renaissance Masses don’t come...
Reviewed by Fabrice Fitch in issue: 10/2016
The enterprising L’Escadron Volant de la Reine have devised a programme of Lamentations for Holy Week by three composers associated...
Reviewed by David Vickers in issue: 10/2016
Last year the premiere recording by Cappella Romana under Alexander Lingas of Maximilian Steinberg’s Passion Week for chorus attracted a...
Reviewed by Malcolm Riley in issue: 10/2016
The exciting partnership between the Sistine Chapel Choir and Deutsche Grammophon continues to deliver atmospheric and thought-provoking performances of Palestrina’s...
Reviewed by Edward Breen in issue: 10/2016
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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