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NIELSEN; DEBUSSY; FRANÇAIX Clarinet Concertos

‘A clarinet can sound as hysterical as – pardon me – a woman.’ Irmlind Capelle’s booklet-note quotes Carl Nielsen’s provocative...

Reviewed by Mark Pullinger in issue: 11/2016

CZERNOWIN The Crescendo Trilogy

Less is more, as the saying goes. It’s a paradox that Chaya Czernowin (b1957) pushes to the hilt here, crafting...

Reviewed by Liam Cagney in issue: 11/2016

BRUCKNER Symphony No 8

Although the 1887 version of Bruckner’s Eighth Symphony is generally regarded as being inferior to the revision that appeared in...

Reviewed by Christian Hoskins in issue: 11/2016

BRUCKNER Symphony No 4

Given their long history of Bruckner performances under principal conductors such as Hausegger, Kabasta, Celibidache and Thielemann, the Munich Philharmonic’s...

Reviewed by Christian Hoskins in issue: 11/2016

Musica Viva 22

Search for a composer connecting George Benjamin to Tristan Murail, and look no further than Olivier Messiaen, who taught the...

Reviewed in issue 11/2016

ANTHEIL Ballet mécanique

The milieu into which George Antheil introduced his mid 1920s Ballet mécanique and A Jazz Symphony was already reverberating with...

Reviewed by Philip Clark in issue: 11/2016

Songs From Our Ancestors

Since it opened in January 2014, the Globe’s Sam Wanamaker Playhouse has hosted almost as much music as theatre, establishing...

Reviewed by Alexandra Coghlan in issue: 11/2016

The Old Colony Collection

Founded in 1815, Boston’s Handel and Haydn Society Chorus is the oldest still-extant performing arts organisation in America. For their...

Reviewed by Alexandra Coghlan in issue: 11/2016

Chanson perpétuelle

There’s been a surge of interest in French chamber songs of late, and Katherine Broderick’s new Champs Hill recital shares...

Reviewed by Tim Ashley in issue: 11/2016

Aksel!

A successful boy treble is every record label’s nightmare. No sooner does your artist reach his peak than he is...

Reviewed by Alexandra Coghlan in issue: 11/2016

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