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SHOSTAKOVICH Piano Concertos Nos 1 & 2

If you have your doubts about the various scored-up versions of Shostakovich’s string quartets for chamber orchestra, then Boris Giltburg’s...

Reviewed by David Fanning in issue: 01/2017

SEARLE Symphonies Nos 3 & 5

If you want to hear a late-20th-century equivalent of ‘The Scream’ as suggested in the first movement of Mahler’s Tenth...

Reviewed by Rob Cowan in issue: 01/2017

SCHREKER Orchestral Music from the Operas

Luxuriously orchestrated and sensuously intoxicating, the extended orchestral interludes found in Schreker’s operas are as fine an introduction as any...

Reviewed by Christian Hoskins in issue: 01/2017

RASMUSSEN Symphony No 2, The Earth Anew

We’ve waited a long time for the successor to Sunleif Rasmussen’s First Symphony, Oceanic Days (1997). John Storgårds eventually lost...

Reviewed by Andrew Mellor in issue: 01/2017

MOZART; NIELSEN Flute Concertos

When it comes to recordings of Mozart’s First Flute Concerto the choices of partner works are rarely of an originality...

Reviewed by Charlotte Gardner in issue: 01/2017

MOZART Piano Concertos Nos 1 - 4

We reach the end of Brautigam’s Mozart concerto cycle with the four ‘early’ works. These were long assumed to be...

Reviewed by Harriet Smith in issue: 01/2017

MAHLER Symphony No 7 (Fischer)

The ‘other’ Fischer boldly goes where his younger brother has enjoyed such conspicuous success – and Adam, with his excellent...

Reviewed by Edward Seckerson in issue: 01/2017

LALO Symphonie espagnole MANÉN Concierto espagnol

The Chinese violinist Tianwa Yang, primarily known and acclaimed for her Naxos discs of Sarasate, struggles here to make much...

Reviewed by Geoffrey Norris in issue: 01/2017

KOZELUCH Piano Concertos Nos 1, 5 & 6

What if Mozart had never lived? Then perhaps we’d hold the Bohemian composer Leopold Kozeluch in higher regard. Certainly he...

Reviewed by Harriet Smith in issue: 01/2017

GINASTERA Piano Concerto No 2. Panambí

Ginastera was still a teenager when he began writing Panambí (1934 37). The concert suite he extracted from the nearly...

Reviewed by Andrew Farach-Colton in issue: 01/2017

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