Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘My Lieder are not meant to awake the passions, but to create peace and tranquillity’, wrote Robert Franz (1815 92)...
Reviewed by Richard Wigmore in issue: 06/2017
New recordings of Dvořák’s grief-riven Stabat mater (1877) come along quite regularly nowadays. Philippe Herreweghe’s refreshingly splendid 2013 disc for...
Reviewed by Malcolm Riley in issue: 06/2017
Dvořák’s 1885 cantata for Birmingham has been praised in Gramophone for its ‘blend of horror and lyrical beauty’ (Jan Smaczny,...
Reviewed by Andrew Mellor in issue: 06/2017
In 1675 Cavalli published a large collection of church music containing three sets of Vespers psalms and canticles, presumably the...
Reviewed by David Vickers in issue: 06/2017
>‘I am a sucker for late-Romantic song or perhaps for histrionic fairy tales of derring-do and blushing maidens’, states baritone...
Reviewed by David Patrick Stearns in issue: 06/2017
CPO’s complete Brahms song series started as long ago as the early ’90s, and the sessions for this release –...
Reviewed by Hugo Shirley in issue: 06/2017
Listeners initially disconcerted by the smooth legato of the Kyrie’s opening statements may be reassured: this is not one of...
Reviewed by Peter Quantrill in issue: 06/2017
The paradox of recent performances of this mightiest of Bachian edifices is that as directors seek to be distinctive, almost...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2017
‘Maestro Corelli’s Violins’ is an intriguing title for a recording featuring no works by Corelli, but it refers to the...
Reviewed by Charlotte Gardner in issue: 06/2017
Here’s a bold experiment: a survey of viola music by Czech composers, mostly born in the 1920s, whose names many...
Reviewed by Hannah Nepil in issue: 06/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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