Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In addition to Daan Vandewalle’s impressive credits as a new-music pianist, he has a natural inclination towards big projects such...
Reviewed by Jed Distler in issue: 09/2017
I much enjoyed William Youn’s previous volume of Mozart (1/17) and this latest disc by the Korean-born, Munich-based pianist is...
Reviewed by Harriet Smith in issue: 09/2017
Suggesting that Morton Feldman CDs ought to be ‘listened to at a much lower level than usual’ is foolhardy. Feldman...
Reviewed by Philip Clark in issue: 09/2017
Joanna MacGregor is a pianist who never fails to surprise, and the complete Chopin mazurkas has become a recital favourite...
Reviewed by Harriet Smith in issue: 09/2017
Setting off on Op 10, you get the impression that Amir Katz is a man in a hurry, dragging Chopin’s...
Reviewed by Harriet Smith in issue: 09/2017
These are two distinguished artists so I hesitate to say it, but this recording made me extremely grumpy. For a...
Reviewed by Jeremy Nicholas in issue: 09/2017
Winner of the 2016 Cleveland and 2007 Paderewski Competitions, as well as a finalist in the 2013 Cliburn, the Russian...
Reviewed by Patrick Rucker in issue: 09/2017
After a couple of albums of bel canto arias, Olga Peretyatko is on home soil for ‘Russian Light’. Her journey...
Reviewed by Mark Pullinger in issue: 09/2017
Il trovatore, a brief note accompanying this reissue from the Vienna Staatsoper in 1978 reminds us, was one of Karajan’s...
Reviewed by Hugo Shirley in issue: 09/2017
It’s interesting to listen to this Aida again after the arrival in 2015 of Warner Classics’ new studio recording under...
Reviewed by Hugo Shirley in issue: 09/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.