Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Wagner relates how, during his youthful stay in Paris, he kept body and soul together by arranging operatic melodies for...
Reviewed by Richard Bratby in issue: AW17
Leonard Elschenbroich’s burgeoning discography continues to defy convention. This time it is not the music itself that is unfamiliar but...
Reviewed by David Gutman in issue: AW17
Here are three engagingly expressive recent concertos by George Tsontakis (b1951), each with an evocative title. According to the composer’s...
Reviewed by Andrew Farach-Colton in issue: AW17
This is the second recording of Schmidt’s Second Symphony to come my way this year after Semyon Bychkov’s luxuriously upholstered account...
Reviewed by Hugo Shirley in issue: AW17
Fitzenhagen or Tchaikovsky unadulterated? There’s the rub with the Rococo Variations. The noted German cellist Wilhelm Fitzenhagen premiered the work...
Reviewed by Rob Cowan in issue: AW17
What a treat to encounter Rubbra’s glorious Violin Concerto played by the work’s Budapest-born dedicatee Endre Wolf (1913-2011). This February...
Reviewed by Andrew Achenbach in issue: AW17
Since the announcement that Simon Rattle will take over as Music Director of the London Symphony Orchestra, his Barbican concerts gave...
Reviewed by Mark Pullinger in issue: AW17
Two competent and enjoyable but not world-beating performances here of two of Prokofiev’s most captivating scores. Matthew Trusler and Rudolf Koelman...
Reviewed by David Fanning in issue: AW17
Selim Palmgren (1878-1951) appeared in these pages far more frequently in days of yore than he does now. His star...
Reviewed by Jeremy Nicholas in issue: AW17
What kind of a violinist was Ferdinand David, for (and with) whom Mendelssohn composed his Violin Concerto? At a time when...
Reviewed by Peter Quantrill in issue: AW17
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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