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Review of HEGGIE Great Scott

HEGGIE Great Scott

There’s a cunning (and witty) interplay of ideas at work here. Sport versus Art, better yet American Football versus Opera;...

Reviewed by Edward Seckerson in issue: 02/2018

Review of DEBUSSY Pelléas et Mélisande (Pascal)

DEBUSSY Pelléas et Mélisande (Pascal)

The challenging Malmö company from the southern tip of Sweden looked largely to France (and, intriguingly, to experience of the...

Reviewed by Mike Ashman in issue: 02/2018

Review of BIZET Carmen (Carignani)

BIZET Carmen (Carignani)

In a brief interview included as a bonus, the designer Es Devlin talks of the challenges of creating a set...

Reviewed by Hugo Shirley in issue: 02/2018

Review of BELLINI I Puritani (Pidò)

BELLINI I Puritani (Pidò)

This opera, Bellini’s last, has a fairly silly plot, what with Cavalier Arturo abandoning Elvira on their wedding day to...

Reviewed by Richard Lawrence in issue: 02/2018

Review of The Topping Tooters of the Town: Music of the London Waits, 1580-1650

The Topping Tooters of the Town: Music of the London Waits, 1580-1650

William Lyons’s brief but telling booklet notes for ‘The Topping Tooters of the Town’ read like a passionate cry of...

Reviewed by Alexandra Coghlan in issue: 02/2018

Review of PIERNÉ; SAINT-SAËNS; DEBUSSY Violin Sonatas

PIERNÉ; SAINT-SAËNS; DEBUSSY Violin Sonatas

In search of la petite phrase: what Francophile wouldn’t be fascinated by a recital devoted to the various real-life works...

Reviewed by Richard Bratby in issue: 02/2018

Review of Intuition

Intuition

‘Intuition, by Gautier Capuçon’: it sounds like an aftershave, and it’s a curious title for a distinctly counterintuitive collection of...

Reviewed by Richard Bratby in issue: 02/2018

Review of Gwendolyn Masin: Flame

Gwendolyn Masin: Flame

It must be said that both the title and cover artwork of ‘Flame’ are of a decidedly ‘we’re giving you...

Reviewed by Charlotte Gardner in issue: 02/2018

Review of Russian Works for Cello and Piano

Russian Works for Cello and Piano

Prokofiev’s Cello Sonata begins with a melody low on the C string, and no expression markings: just the instruction piena...

Reviewed by Richard Bratby in issue: 02/2018

Review of TELEMANN Trio Sonatas for Recorder

TELEMANN Trio Sonatas for Recorder

Look down the recording details at the back of the average CD and it’s rare to find the hour of...

Reviewed by Charlotte Gardner in issue: 02/2018


 

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