Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Given the prevalence of, and admiration for, Elgar’s three large-scale oratorios and The Music Makers, it is good to hear...
Reviewed by Jeremy Dibble in issue: 05/2018
Until recently, all most people knew about Ghiselin Danckerts was that he was a singer in the Papal chapel and...
Reviewed by David Fallows in issue: 05/2018
The Choir of King’s College, Cambridge, and the Renaissance composer William Byrd are undeniably icons of English music. It is...
Reviewed by Edward Breen in issue: 05/2018
The more live performances, the more live recordings, one experiences of this marvellous piece the more challenging it seems. No...
Reviewed by Edward Seckerson in issue: 05/2018
Having the one-to-a-part Scholars Baroque Ensemble and the all-male cathedral forces of Oxford’s New College in its catalogue, Naxos has...
Reviewed by Peter Quantrill in issue: 05/2018
It’s interesting to imagine what kind of a musical London, Paris or New York we might be looking at today,...
Reviewed by Charlotte Gardner in issue: 05/2018
Three years on from his death, John McCabe shows no signs of being forgotten. His music is still performed and...
Reviewed by Guy Rickards in issue: 05/2018
Ben Goldscheider was a finalist in the 2016 BBC Young Musician, and if the biography in the booklet of this...
Reviewed by Richard Bratby in issue: 05/2018
The saxophone repertoire has expanded considerably over recent decades, though the soprano instrument still tends to be overlooked owing to...
Reviewed by Richard Whitehouse in issue: 05/2018
A lot of water has gone under the bridge since Heinz Holliger first rediscovered and recorded Zelenka’s six sonatas for...
Reviewed by Charlotte Gardner in issue: 05/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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