Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Maddalena ai piedi di Cristo was probably composed for Caldara’s native Venice in about 1697 98, perhaps for the Oratorian...
Reviewed by David Vickers in issue: 11/2018
I’ve always been slightly puzzled as to why Simon Rattle (and subsequently Mark Elder) chose to anoint this particular show...
Reviewed by Edward Seckerson in issue: 11/2018
Back in days of old, recordings – and, for that matter, live performances – of Berlioz’s huge-scale Mass for the...
Reviewed by Mike Ashman in issue: 11/2018
‘God the Lord is Sun and Shield’ – the title of Cantata No 79 – is the epithet given to...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2018
There are no concepts, no gimmicks and just a single-word title – ‘Bach’ – for Benjamin Appl’s latest release. This...
Reviewed by Alexandra Coghlan in issue: 11/2018
All four works here are premiere recordings – two only in transcription – and the major item is without doubt...
Reviewed by Guy Rickards in issue: 11/2018
Kellan Toohey, a gifted young clarinettist from Colorado, has bestowed a lovely gift upon composers ‘who are either from Colorado,...
Reviewed by Laurence Vittes in issue: 11/2018
Although entitled ‘Russian Trumpet Sonatas’, this album featuring eight Soviet-era sonatas is really the story of two intrepid trumpeters. One,...
Reviewed by Guy Rickards in issue: 11/2018
In the midst of premiering new works by Mark Hagerty, Bright Sheng and Jennifer Barker and getting ready to make...
Reviewed by Laurence Vittes in issue: 11/2018
Born in Hong Kong and now living in the United States, Stephen Yip is a composer whose chamber works abound...
Reviewed by Jed Distler in issue: 11/2018
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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