Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
As captured live by NDR at the Göttingen Handel Festival last May, stage noises and imperfections inevitably arise from this...
Reviewed by David Vickers in issue: 11/2018
A year after its premiere at the Finnish National Opera and appearance on OperaVision (11/17), here’s a chance to experience...
Reviewed by Andrew Mellor in issue: 11/2018
Companies releasing DVDs of Britten’s operas must be glad they do not have to look over their shoulders at the...
Reviewed by Richard Fairman in issue: 11/2018
Unseen except in a copiously illustrated booklet, Christof Loy’s staging nevertheless exerts a powerful influence over this audio-only production. Any...
Reviewed by Peter Quantrill in issue: 11/2018
Having watched this relatively brief (47 minutes) portrait, one is left in no doubt about how very lonely is the...
Reviewed by Jeremy Nicholas in issue: 11/2018
Donald Fraser has made a very successful career from arrangements since his orchestral rescoring of Marin Marais’s The Bells of...
Reviewed by Charlotte Gardner in issue: 11/2018
Baiba Skride has been recording large swathes of the concerto repertory in relatively short order, travelling both along and off...
Reviewed by Andrew Farach-Colton in issue: 11/2018
If music is, indeed, ‘the food of love’, then Huw Watkins’s Flute Concerto (2013) does have ‘excess of it’! I...
Reviewed by Guy Rickards in issue: 11/2018
The last instalment of Vasily Petrenko’s Scriabin series contains works written only a decade apart, separated by a stylistic chasm....
Reviewed by David Gutman in issue: 11/2018
Every pianist who records Rachmaninov’s Second Concerto these days has to have their own take, it seems, on the famous...
Reviewed by Jeremy Nicholas in issue: 11/2018
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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