Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Opera and song are at the heart of Gordon Getty’s work and spring as much from his love for poetry...
Reviewed by Andrew Mellor in issue: 12/2018
Antoine de Févin (c1470-1511/12) is not currently well known, despite his works having travelled widely in his own day and...
Reviewed by Edward Breen in issue: 11/2018
‘Rare Fauré’ might be a better, if not entirely accurate title for this attractive disc, in which Ivor Bolton conducts...
Reviewed by Tim Ashley in issue: 11/2018
Both soloist and conductor have already given us notable versions of The Music Makers – for Naxos (12/06) and Teldec/Warner...
Reviewed by Andrew Achenbach in issue: 12/2018
‘Semper Dowland, semper dolens’, John Dowland famously punned, but the composer’s First Booke of Songes or Ayres couldn’t be further...
Reviewed by Alexandra Coghlan in issue: 11/2018
Havergal Brian’s cantata The Vision of Cleopatra (1907) is the most ambitious work of his earliest period, ie before the...
Reviewed by Guy Rickards in issue: 12/2018
Xenia Löffler’s performances on a 2014 disc of assorted Venetian concertos (10/14) from the Akademie für Alte Musik Berlin (of...
Reviewed by Lindsay Kemp in issue: 12/2018
This excellent CD fills significant gaps in the Anderson discography. At the same time it reminds us of the huge...
Reviewed by Arnold Whittall in issue: 12/2018
‘I saw the lilacs still in full bloom, the grass still long, and the roses just starting to blossom.’ Tchaikovsky’s...
Reviewed by Michelle Assay in issue: 12/2018
Theodor Adorno once said that ‘every visit to the cinema leaves me, against all my vigilance, stupider and worse’. Despite...
Reviewed by Pwyll ap Siôn in issue: 12/2018
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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