Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The premiere of Madama Butterfly at La Scala, Milan, in 1904 was famously one of operatic history’s great flops. So...
Reviewed by Hugo Shirley in issue: 03/2019
First performed in Rome in 1724, Il Giustino is among the most beautiful and cogent of Vivaldi’s operas. Using a...
Reviewed by Tim Ashley in issue: 03/2019
There’s no getting away from the fact that an entire album of wall-to-wall Offenbachian coloratura, a festival of the chanteuse...
Reviewed by Edward Seckerson in issue: 03/2019
Today, when Liszt’s 12 Études d’exécution transcendante seem almost a part of the landscape, with a couple of new recordings...
Reviewed by Patrick Rucker in issue: 03/2019
There’s a strange feeling of something like alienation or distance at the outset of Kristian Bezuidenhout’s Haydn recital. Perhaps it’s...
Reviewed by David Threasher in issue: 03/2019
For a neglected Romantic violin sonata, being recorded by Tasmin Little and John Lenehan must feel like going to heaven....
Reviewed by Richard Bratby in issue: 03/2019
Mitsuko Uchida’s previous recording of the Beethoven piano concertos, with Kurt Sanderling and the Bavarian Radio Symphony Orchestra (Philips, 5/96,...
Reviewed by Andrew Farach-Colton in issue: 03/2019
Were I to append a subtitle to this memorable album it would be ‘the art of the bow’, the reason...
Reviewed by Rob Cowan in issue: 02/2019
‘Olli and I find it quite masterly – and addictive’, Steven Isserlis writes in a booklet note on Kabalevsky’s Cello...
Reviewed by Tim Ashley in issue: 02/2019
Few of the concertante works premiered by Mstislav Rostropovich enjoy repertoire status. Among them, the concertos by Lutosławski and Dutilleux...
Reviewed by Richard Whitehouse in issue: 02/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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