Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Many people know the Donkey duet (‘Trot here and there’) from Véronique, an opéra comique staged at the Bouffes-Parisiens in...
Reviewed by Richard Lawrence in issue: 04/2019
The Roman Paolo Lorenzani (1640-1713) was the only Italian musician other than Lully to hold a court post during the...
Reviewed by David Vickers in issue: 04/2019
As David Vickers pointed out in his Gramophone Collection article last October, it took a long time for recordings of...
Reviewed by Lindsay Kemp in issue: 04/2019
Charpentier’s pastoral entertainments Les arts florissans and La couronne de fleurs (1685) were commissioned by the Mademoiselle de Guise to...
Reviewed by David Vickers in issue: 04/2019
If asked to name the most successful English operetta of the 19th century, you’d probably go for The Mikado or...
Reviewed by Richard Bratby in issue: 04/2019
Francesco Cavalli’s 33 surviving operas provide a rich playground for any period performer and the countertenor Philippe Jaroussky throws himself...
Reviewed by Alexandra Coghlan in issue: 04/2019
Screen filming can do a troubled opera like this one a multitude of favours. When I saw Tom Cairns’s production...
Reviewed by Andrew Mellor in issue: 04/2019
The thematic trajectory of Karim Said’s recital concerns the connection between composers and their disciples, with works by William Byrd...
Reviewed by Jed Distler in issue: 04/2019
Each of the four pieces on this disc specifically embraces diverse cultural references: Ives’s First Sonata’s American popular idioms circa...
Reviewed by Jed Distler in issue: 04/2019
Friederike Chylek, a German harpsichordist who has specialised in English keyboard music of the 16th and 17th centuries, has released...
Reviewed by Philip Kennicott in issue: 04/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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