Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Serenatas were nocturnal concert pieces akin to cantatas for special occasions that could be performed in costume with a backdrop,...
Reviewed by David Vickers in issue: 04/2019
Currently a Harewood Artist at English National Opera, with a win at The Grange Festival’s inaugural International Singing Competition under...
Reviewed by Alexandra Coghlan in issue: 04/2019
This is a valiant attempt at a worthwhile exercise that nevertheless throws up one or two puzzling matters. The performance...
Reviewed by David Threasher in issue: 04/2019
Conceived to mark the 750th anniversary of Merton College, Oxford, in 2014, the Merton Choirbook project set out to create...
Reviewed by Alexandra Coghlan in issue: 04/2019
Although the London performance of the Enigma Variations under Richter in 1899 is invariably cited as the composer’s ‘red letter’...
Reviewed by Jeremy Dibble in issue: 04/2019
Eric Coates, the ‘King of Light Music’, is of course best known for his orchestral pieces. His more than 130...
Reviewed by Jeremy Nicholas in issue: 04/2019
De Doelen hall in Rotterdam may not boast the six-second echo of Bremen Cathedral, birthplace of the German Requiem, or...
Reviewed by Peter Quantrill in issue: 04/2019
For all the eccentric ordering of this fascinating set, which proceeds according to neither chronology of works or recordings, the...
Reviewed by Peter Quantrill in issue: 04/2019
Danny Granados (1964-2018) studied with Robert Marcellus, first chair clarinet of the Cleveland Orchestra during the Szell years, and embarked...
Reviewed by Andrew Farach-Colton in issue: 04/2019
This is the second programme of music for solo horn (with – as here – or without accompaniment) to have...
Reviewed by Guy Rickards in issue: 04/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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