Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Argentinian, Dutch-trained harpsichordist Guillermo Brachetta begins his journey through the four harpsichord books of François Couperin with Book 4,...
Reviewed by Lindsay Kemp in issue: 08/2019
Rarely does one come across a pianist with something genuinely fresh and perceptive to say in Brahms, and who manages...
Reviewed by Patrick Rucker in issue: 08/2019
Back in 2014 Hilary Hahn spoke warmly to Gramophone about the music of Antón García Abril (b1933), who had written...
Reviewed by Peter Quantrill in issue: 08/2019
Ensemble Diderot have created a decent-sized discography already since their first release five years ago; the fact that director Johannes...
Reviewed by Lindsay Kemp in issue: 08/2019
Since Joo Yeon Sir’s debut album, ‘Suites and Fantasies’ (9/17), concluded with Igor Frolov’s concert fantasia on Porgy and Bess,...
Reviewed by Charlotte Gardner in issue: 08/2019
The title, ‘After the Darkness’, derives from Elie Wiesel’s harrowing account of his experiences during the Holocaust and four of...
Reviewed by Guy Rickards in issue: 08/2019
‘No more unique example of his unrivalled finish of work exists than the “Tuscan” violin, made in 1690. It stands...
Reviewed by Mark Seow in issue: 08/2019
For Vivaldi lovers, this double-disc set from the quintet Armoniosa is a must: with a total running time of 1h...
Reviewed by Mark Seow in issue: 08/2019
‘Orange’ marks the first release in a new partnership announced earlier this year between the Nonesuch and New Amsterdam labels....
Reviewed by Pwyll ap Siôn in issue: 08/2019
Schumann’s symphonies, concertos and piano trios are now fairly well represented in the catalogue in recordings that opt for period...
Reviewed by David Threasher in issue: 08/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.