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Mozart (Die) Zauberflöte

Had this new set been to hand when I discussed all versions of Die Zauberflöte in January, it would have...

Reviewed by Alan Blyth in issue: 6/2006

Horowitz in Moscow

As one who has been rather disappointed by some recent Harowitz performances, I am happy to salute this issue warmly...

Reviewed by Christopher Headington in issue: 12/1986

Dyson Church & Organ Music

Dyson's eyes betray the shrewd and perceptive northener. They're set in a face slightly open-mouthed in wonder, and between ears...

Reviewed in issue 11/1987

Conradi Ariadne

Hamburg’s Theater-am-Gänsemarkt, opened in 1678, was reputed to have been the largest and best equipped theatre in Europe. In the...

Reviewed by David Vickers in issue: 10/2005

Brahms/Duvernoy/Koechlin Horn Trios

Initial unsteadiness aside, Ghidoni dominates the performance of the Brahms, his vibrant, incisive tone offsetting the rather deadpan character of...

Reviewed by kYlzrO1BaC7A in issue: 4/1999

Corelli Concerti grossi, Op. 6

The Slovak Chamber Orchestra, under the decisive leadership of Bohdan Warchal, take Corelli's concertos very seriously. They play with precision...

Reviewed in issue 1/1990

American Flute Works

Another recording of the Copland Duo, which is not really a late work at all. It was completed in 1971...

Reviewed by Peter Dickinson in issue: 11/1990

Mozart Sacred Arias

Barbara Hendricks has chosen well: these arias are just the vehicle for the scale and timbre of her voice and...

Reviewed by hfinch in issue: 5/1988

Novák Pan

Pan was written as a tone-poem for piano in 1910 but, perhaps finding the medium too constraining, Novak orchestrated it...

Reviewed by John Warrack in issue: 10/1991

Mendelssohn & Schubert

The genius of the youthful Mendelssohn in composing the Overture to A Midsummer Night's Dream at the age of only...

Reviewed in issue 7/1985

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