Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
An amazing record, this: a performance of Mozart's Coronation Mass offered as a feast-day tribute to the Pope on St...
Reviewed by mberry in issue: 7/1986
Klemperer may have been ambivalent (and hypocritical) in his attitude to Richard Strauss as a man, but when it came...
Reviewed in issue 5/1990
Long before he set out to purge opera of excess and ‘abuses’ with his epoch-making Orfeo and Alceste, Gluck composed...
Reviewed by Richard Wigmore in issue: 11/2011
All manner of means have been assembled to realize this magnum opus of Bach’s final years, although recorded history tells...
Reviewed by Jonathan Freeman-Attwood in issue: 7/1999
Poro is the second, and certainly the best, of the three Handel operas based on texts by the young Metastasio—suitably...
Reviewed by Stanley Sadie in issue: 11/1994
Music of profound spirituality or glum monotony? I can imagine listeners having either of these responses, or elements of both,...
Reviewed by Arnold Whittall in issue: 10/2004
A few seconds of A/B comparison between the CD and LP versions here illustrates the effortless superiority of the former:...
Reviewed by Alan Blyth in issue: 10/1985
There are two essential Puccini recitals: one is Callas's 1954 EMI (CD CDC7 47966-2—to be reviewed later), the other this....
Reviewed in issue 10/1987
Hard on the heels of Gál’s violin sonatas and Suite (8/10) comes this superb new disc featuring the pre-war Concerto...
Reviewed by Guy Rickards in issue: 9/2010
In this engaging recital, the best he has recorded so far, Juan Diego Flórez goes from Gluck’s Orphée (1774) to...
Reviewed by Patrick O'Connor in issue: 12/2004
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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