Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Giovanni Battista Colonna (1637 95) trained in Rome with Carissimi and Benevoli before returning home to Bologna, eventually becoming the...
Reviewed by David Vickers in issue: 03/2020
Founded in 2016 by Neil Ferris and Michael Higgins, the chamber choir Sonoro already have three recordings under their belt,...
Reviewed by Alexandra Coghlan in issue: 03/2020
This collection of funeral music by Bruckner, mostly choral works composed in his twenties, provides a fascinating contrast with the...
Reviewed by Christian Hoskins in issue: 01/2020
Inspired by the splendour of the Royal Chapel at Versailles, the Château Spectacles series of concerts and recordings adds the...
Reviewed by Jonathan Freeman-Attwood in issue: 03/2020
Over the years Philippe Herreweghe has moved freely between the first and second of Bach’s St John Passion scores, composed...
Reviewed by Jonathan Freeman-Attwood in issue: 03/2020
In the booklet notes accompanying Fazıl Say’s Beethoven sonata cycle, the pianist writes: ‘As I work I make annotations above...
Reviewed by Jed Distler in issue: 03/2020
A personal note: I first learnt about the New York-based French pianist Matthieu Cognet through our mutual pianist friend Fanny...
Reviewed by Jed Distler in issue: 03/2020
The mesmerising Adagio of the Marcello-Bach Concerto was memorably recorded by Edwin Fischer in 1931. You rarely hear all three...
Reviewed by Jeremy Nicholas in issue: 03/2020
Daniel Müller-Schott ends this formidable unaccompanied recital with Pablo Casals’s Song of the Birds, played with the intense focus, the...
Reviewed by Richard Bratby in issue: 03/2020
It is difficult to imagine a more impressive location for these four substantial organ works by Canadian composers of the...
Reviewed by Marc Rochester in issue: 03/2020
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.