Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Among Bohuslav Martinů’s five piano concertos, his Fourth (1956) is arguably the most original and inventive, and certainly the most...
Reviewed by Jed Distler in issue: 12/2019
Manfred Honeck’s interpretation of the three-movement version of Bruckner’s Ninth Symphony is one of the most distinctive to have appeared...
Reviewed by Christian Hoskins in issue: 12/2019
With this final instalment of Thielemann’s Bruckner series with the Staatskapelle Dresden, a complete cycle of the composer’s numbered symphonies...
Reviewed by Christian Hoskins in issue: 12/2019
This is the final instalment of Philippe Jordan’s Beethoven cycle recorded live with the Vienna Symphony in the spring of...
Reviewed by Richard Osborne in issue: 12/2019
Iván Fischer leads a polished and powerful account of Beethoven’s Fifth, although he makes a few odd interpretative choices along...
Reviewed by Andrew Farach-Colton in issue: 12/2019
If you’re after a rationale behind this extraordinary set of performances, Fischer himself provides one in the booklet interview accompanying...
Reviewed by Rob Cowan in issue: 12/2019
No modern-day piccolo trumpet soloist offers the security, delicacy and effortless élan of Matthias Höfs in 18th-century repertoire, as witnessed...
Reviewed by Jonathan Freeman-Attwood in issue: 12/2019
Rinaldo Alessandrini’s new recording of Bach’s Orchestral Suites may well be the danciest ever. Thirteen years after his joyful account...
Reviewed by Lindsay Kemp in issue: 12/2019
Robin Holloway remarked that everything in Tchaikovsky’s work truest to his genius ‘aspires to the condition of ballet’: a perception...
Reviewed by Peter Quantrill in issue: 12/2019
Come for the sex, stay for the music. That would seem to be the implication behind the title of the...
Reviewed by Peter Quantrill in issue: 11/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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