Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
They’ve already dazzled us with ‘Copland the Modernist’ (RCA, 3/97); now Michael Tilson Thomas and his stunning San Francisco band...
Reviewed by Andrew Achenbach in issue: 9/2000
With his pianist mother, Oxana, Dmitry Yablonski left the USSR in 1977 when he was 15. Besides their solo work,...
Reviewed by Joan Chissell in issue: 11/1994
Within days of Rossini's death on November 13th, 1868, Verdi proposed to his publisher Ricordi that a Requiem Mass be...
Reviewed by Richard Osborne in issue: 2/1990
I had not encountered three of the four composers here, so a bit of background detail first. Raised in Kirkby...
Reviewed by Andrew Achenbach in issue: 3/2006
This three-CD set makes a valuable supplement to the new recording of the Fourth Symphony (reviewed on page 90). Only...
Reviewed by Robert Layton in issue: 5/1993
Kalevi Aho claims the Twelfth (2002‑03) as his largest symphony (the BIS recording of No 8, however, is almost two...
Reviewed by Guy Rickards in issue: 10/2008
Ashkenazy, Perlman and Harrell don't play the piano-trio arrangements of the Septet, or the Symphony No. 2 in D. Otherwise...
Reviewed by Joan Chissell in issue: 3/1987
When Sir Clifford Curzon was always so reluctant to work in the recording studio‚ and then often rejected the results‚...
Reviewed in issue 5/2002
In his chapter on Mengelberg in The Orchestra Speaks (London: 1937), the viola-player Bernard Shore recalls the great man conducting...
Reviewed by Richard Osborne in issue: 12/1991
“A ragbag of influences” is how John Tyrrell sums up Janácek’s early Suite for Strings in the first volume of...
Reviewed by John Warrack in issue: 13/2008
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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