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Review of Handel Fireworks Music; Concerti a due cori

Handel Fireworks Music; Concerti a due cori

A coupling of the Music for the Royal Fireworks with two of the so-called Concerti ''a due cori'' offers rousing...

Reviewed by Nicholas Anderson in issue: 8/1985

Review of Great Conductors of the 20th Century – Albert Coates

Great Conductors of the 20th Century – Albert Coates

The stylistic scope of these recent Great Conductors releases is tellingly exemplified by two key recordings of music from Wagner’s...

Reviewed by Rob Cowan in issue: 3/2003

Review of Chopin Piano Works

Chopin Piano Works

In case any readers missed Aleksei Sultanov's Rachmaninov/Tchaikovsky concerto coupling on Teldec a couple of years ago (7/90), let me...

Reviewed by Joan Chissell in issue: 7/1992

Review of Baroque Concertos

Baroque Concertos

Compact disc seems to stress the unusual scoring in the Vivaldi G minor (there are recorders, oboes and a bassoon...

Reviewed in issue 12/1984

Review of Mendelssohn Cello Works

Mendelssohn Cello Works

Mendelssohn was incapable of composing without craftsmanship and good taste, and his two cello sonatas are skilful and elegant pieces....

Reviewed by Christopher Headington in issue: 7/1994

Review of Schubert Symphonies

Schubert Symphonies

Visually arresting as it was, in the recent BBC TV investigation ''The Real Thing'', to see Boulez denouncing period performance...

Reviewed by John Steane in issue: 12/1990

Review of Haydn Seven Last Words

Haydn Seven Last Words

I suppose that, since the beginning of musical history, composers have been writing 'mood' music, that is music to create...

Reviewed in issue 7/1993

Review of J.C. Bach & Boccherini Cello Concertos

J.C. Bach & Boccherini Cello Concertos

As the greatest cello virtuoso of his day and an accomplished composer, Boccherini unsurprisingly posed technical problems in this, the...

Reviewed in issue 1/1987

Review of Beethoven Symphony No 3. Grosse Fuge

Beethoven Symphony No 3. Grosse Fuge

Klemperer's 1961 stereo recording of the Eroica is a big, stolid performance, immensely imposing at its start and finish, and...

Reviewed by Richard Osborne in issue: 10/1985

Review of Shostakovich Cello Concerto No 1; Tchaikovsky Symphony No 4

Shostakovich Cello Concerto No 1; Tchaikovsky Symphony No 4

I’ve heard more arresting horns at the start of Tchaikovsky’s Fourth Symphony, but the Leningrad trumpets clinch it. Gennady Rozhdest-vensky’s...

Reviewed by Edward Seckerson in issue: 6/2004


 

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