Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It was Martin Roscoe and the Endellion Quartet who first opened my ears to the masterly qualities of Amy Beach's...
Reviewed by Andrew Achenbach in issue: 12/1999
Twenty or so years down the line and Anne-Sophie Mutter’s Beethoven Concerto has cast off its youthful serenity in favour...
Reviewed by Rob Cowan in issue: 1/2002
The lightness and resilience of Renaud Capuçon’s playing at the very start of the Mendelssohn, matched by the transparent textures...
Reviewed by Edward Greenfield in issue: 12/2004
Lulu became a quite different opera on that night in February 1979 when we were at last permitted to hear...
Reviewed by Michael Oliver in issue: 11/1986
This is the best disc of Lieder Sarah Walker has yet given us. She is just one of the many...
Reviewed by Alan Blyth in issue: 4/1990
Salvatore Accardo has already recorded the six Paganini violin concertos for DG with Dutoit and the LPO, and these recordings...
Reviewed in issue 7/2001
The idea has long appealed to me of supplementing the limited repertory of cello concertos with orchestrations of suitable cello...
Reviewed in issue 11/2001
The original 91'40'' duration of the LPs is here reduced to 65'45'' by omitting many of the Renaissance items. Even...
Reviewed by John Duarte in issue: 2/1986
This latest Dutton release of Richard Arnell's music is primarily a second instalment of the ballet scores that until recently...
Reviewed by Andrew Lamb in issue: 11/2009
DG’s “Martha Argerich Collection” consolidates and confirms (if confirmation were necessary) our sense of a unique vision and virtuosity. Here,...
Reviewed by Bryce Morrison in issue: 10/1997
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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