Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Sir Charles Mackerras's recordings of the late Mozart symphonies with the Prague Chamber Orchestra for Telarc have established the exceptionally...
Reviewed by Edward Greenfield in issue: 8/1989
No contemporary composer has done more to blur the barriers between absolute and film music than John Williams. With Jean-Jacques...
Reviewed in issue 1/1998
Perhaps the time is right for the musical establishment (and the record industry) to begin to recognize Tavener as one...
Reviewed by Michael Stewart in issue: 12/1984
I hope it’s not the kiss of death to say so, but I feel that the Ukrainian Valentin Silvestrov is...
Reviewed in issue 7/1996
In an interview I once did with Lou Harrison, he claimed that had John Cage become involved in Asian music...
Reviewed by Philip_Clark in issue: 7/2008
Ozawa's RCA version, dating from the beginning of the 1970s, fresh direct and spontaneous and vividly transferred to CD, remains...
Reviewed by Ivan March in issue: 7/1989
The Posthorn Serenade, the last, and probably the finest of the nine large-scale orchestral serenades or divertimentos that Mozart composed...
Reviewed by rgolding in issue: 8/1983
It's fascinating to hear these pieces played by a pianist from the former Soviet Union who, when he first encountered...
Reviewed by Michael Oliver in issue: 5/1994
Reference to 'L'Amore' is confined to the eight vocal tracks, just over a quarter of the total playing time, but...
Reviewed by John Duarte in issue: 1/2000
Strindberg loved the music of Wilhelm Peterson-Berger, so it’s good to see one of the dramatist’s paintings adorning the front...
Reviewed by hfinch in issue: 3/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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