Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The 1955 Kleiber Figaro, which I alluded to in my review of the reissued Giulini version in January, is another...
Reviewed by Stanley Sadie in issue: 2/1990
Both these symphonies are filled with incident and drama, often quite astonishingly distilled from the simplest ingredients. The first movement...
Reviewed by Michael Oliver in issue: 6/1997
If any parallels existed between Bach and Brazilian idioms, they were largely in Villa-Lobos’s mind – even the Fugue in...
Reviewed by Lionel Salter in issue: 2/1996
Volume 5 of Robert Craft's Stravinsky sequence continues the high musical standards and eccentric programme-building which characterized Vol. 4 (6/94)....
Reviewed in issue 9/1994
This is the fourth new recording of the Bach gamba sonatas to have come my way in the year 2000...
Reviewed by Lindsay Kemp in issue: 1/2001
Here is a superb as well as nostalgic reminder of why Cyril Smith (1909-74) was among Rachmaninov’s favoured interpreters. Many...
Reviewed by Bryce Morrison in issue: 2/1999
This is an interesting and mainly successful attempt to place a handful of Vivaldi's sacred vocal works in a liturgical...
Reviewed by Nicholas Anderson in issue: 12/1992
Despite forsaking London for St Petersburg in mid-cycle, Vladimir Ashkenazy’s approach to Shostakovich remains impressively consistent. For all the gains...
Reviewed in issue 10/1997
Anner Bylsma won me over completely with this recording. His musicianship is dazzling. Any reservations I may have had evaporated...
Reviewed in issue 11/1989
''A Legend Reborn'' is how Teldec have advertised the admirable relaunch of their Das Alte Werk label. Judging by the...
Reviewed by Jonathan Freeman-Attwood in issue: 7/1993
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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