Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
I see that I once described Levi's Mahler as having exquisite table manners and very little to say for itself....
Reviewed by David Gutman in issue: 6/2000
Though the title, ‘The Puccini Album’, suggests a recital, this is a very different offering. It starts with two arias...
Reviewed by Edward Greenfield in issue: 5/1999
Graham Whettam is another composer (b1927) of my own generation whose music has been eclipsed and allowed to be all...
Reviewed by Ivan March in issue: 12/2006
Look, I don’t want to appear chippy – that’s Nonclassical’s job – but a label that chooses to define itself...
Reviewed by Philip_Clark in issue: 1/2012
On paper this hardly looks a version competitive with those listed above; in the event it has much to offer,...
Reviewed by Alan Blyth in issue: 6/1992
Since 1992 the Danish Michael Schonwandt has been Principal Conductor of the Berlin SO. So not surprisingly this warmly recorded...
Reviewed by Joan Chissell in issue: 4/1995
This is Lyrita’s second CD of Grace Williams reissues. My review of the first (6/95) revealed that I had forgotten...
Reviewed by Arnold Whittall in issue: 12/1996
Despite having heard four wonderful volumes of Monteverdi’s sacred music from The King’s Consort, and its 2004 Proms performance of...
Reviewed by William Yeoman in issue: 6/2006
After giving us choice recitals of her Verdi (1/96) and Wagner (A/98), Varady has now turned her attention to Richard...
Reviewed by Alan Blyth in issue: 5/2000
Daniel Barenboim and Erato may regret having been pipped at the post by the recent reissue of Boulez's own recording...
Reviewed by Arnold Whittall in issue: 10/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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