Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
There are happy and shapely performances of all three concertos here, but the particular delight is that of the latest...
Reviewed by Stanley Sadie in issue: 3/2001
After Gardiner’s lithe, slimline Idomeneo (astonishingly already over five years old), which understandably carried nearly everything before it, we are...
Reviewed by Lionel Salter in issue: 1/1997
Here are some superb answers to those who express the feeling—they include Edwin Fischer—that musical quality is an elixir too...
Reviewed in issue 12/1994
This is the first recording of Shostakovich's Fourth Symphony to appear on CD, and it is warmly welcome. The Fourth...
Reviewed by Michael Oliver in issue: 3/1989
Recorded in 1994 but released only now in the wake of the recent West End production, this set comes as...
Reviewed by Adrian Edwards in issue: 9/1998
Vassily Primakov has won plaudits in these pages for his previous recordings of Chopin concertos and Beethoven sonatas but I...
Reviewed by Jeremy Nicholas in issue: 8/2010
These recordings, made when Menuhin was between the ages of 16 and 19, have many remarkable features. In the first...
Reviewed in issue 3/1989
The six English Suites seem to be the least recorded of Bach’s three major collections of keyboard suites just at...
Reviewed by Lindsay Kemp in issue: 8/2000
Balance is a difficult problem to solve in Tchaikovsky's Piano Trio, as the composer himself acknowledged with his reluctance to...
Reviewed by John Warrack in issue: 10/1994
Without the benefit of any centenary or other commemoration on the horizon, Ernesto Lecuona seems suddenly to have become something...
Reviewed by Lionel Salter in issue: 5/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.