Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It was not until 1987 that the Vienna State Opera presented Dvorák’s most successful opera, some 85 years after Mahler’s...
Reviewed by Edward Greenfield in issue: 10/2004
Martinu wrote a fair quantity of music for cello, but these three sonatas are undoubtedly the finest. Just how fine...
Reviewed by Stephen Johnson in issue: 7/1989
It is strange‚ as Lyndon Jenkins suggests in his illuminating note‚ that since Beethoven’s Seventh Symphony was probably Barbirolli’s favourite...
Reviewed in issue 7/2002
The gentrification of rock music perhaps became inevitable as soon as the supposed passing fad of 1950s rock'n'roll turned out...
Reviewed by rthomas in issue: 12/1999
Lasting just on 67 minutes, this coupling is not only generous in playing time but also very apt: all the...
Reviewed by Joan Chissell in issue: 4/1986
Mozart must have cursed Mitridate. Thanks to its success, he was landed with two more commissions for Milan, one of...
Reviewed by hfinch in issue: 1/1992
Falla's genial stage piece The Three-cornered hat started life as a mimed farce called The Corregidor and the Miller's Wife....
Reviewed by Christopher Headington in issue: 9/1992
One's first impression of this record is of a rich tonal palette, and the second is that it is by...
Reviewed by Christopher Headington in issue: 12/1989
In May 1924, against stiff competition from Stravinsky’s Concerto for Piano and Wind Instruments and Poulenc’s Les biches, Le miroir...
Reviewed by rnichols in issue: 11/2000
The brisk tempos Bach is said to have liked are certainly forthcoming from I Musici, first past the post in...
Reviewed by John Duarte in issue: 10/1985
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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