Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Before their acclaimed La belle Hélène (3/02), runner-up for Gramophone’s DVD Award last year, Laurent Pelly and Marc Minkowski staged...
Reviewed by mscott rohan in issue: 1/2004
Paisiello's two-act opera, Fedra was first performed at Naples in 1788 when the composer was at the height of his...
Reviewed by Nicholas Anderson in issue: 9/1989
No one was a doughtier champion of Vaughan Williams than Boult, and if EMI’s elegant, slimline repackaging of Sir Adrian’s...
Reviewed by Andrew Achenbach in issue: 1/2001
This programme has two parts: a performance of Tchaikovsky’s Fourth Symphony and a documentary that, in Michael Tilson Thomas’s words,...
Reviewed by Andrew Farach-Colton in issue: 11/2005
Kreisler recorded the Beethoven, Brahms and Mendelssohn concertos twice electrically, and in the case of the first two works the...
Reviewed in issue 12/1991
Koch’s booklet-note tells us that, by performing all the solo parts of the works involved, “Isabelle van Keulen fulfils a...
Reviewed in issue 11/1997
The one big advantage of the original 1869 Boris – which is more or less what we have here –...
Reviewed by David Fanning in issue: 10/2006
Skrowaczewski’s Bruckner readings are generally robust and full-bodied, taut and lyrical by turns. It is no surprise, therefore, to find...
Reviewed by Richard Osborne in issue: 9/1999
If I were allowed just one work of Walton's to save from the proverbial flood, it would undoubtedly be Facade,...
Reviewed by Alan Blyth in issue: 4/1990
Here is an enterprising issue and no mistake—an essential library acquisition, irrespective of the quality of the music or the...
Reviewed in issue 3/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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