Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Wilhelm Grosz was a pupil of Schreker, and according to Thomas Gayda, who has written the booklet-notes for this latest...
Reviewed by Patrick O'Connor in issue: 7/1997
Portuguese violinist Carlos Damas boasts a clear, ringing tone and impressive dexterity. He’s mastered the technical problems posed by Ysaÿe...
Reviewed by DuncanDruce in issue: 13/2007
Having already sampled the work of the Belgian composer Frederic Devreese in tandem with that of his father Godfried (11/94),...
Reviewed in issue 1/1995
This dramatisation by David Alden of Schubert’s final cycle, and the programme that showed its preparation, were broadcast on Channel...
Reviewed by Alan Blyth in issue: 2/2001
Ian Hobson’s playing on this new disc has many features in common with his earlier discs of Rachmaninov – the...
Reviewed by Tim Parry in issue: 5/1997
Conmoissuers of plainchant recordings will need no introduction to the choir of the Munsterschwarzach Benedictine Abbey, whose interesting researches into...
Reviewed in issue 9/1985
This is entirely as it should be. I said of the original full-price Marco Polo issue that it was bad...
Reviewed in issue 2/1994
Neither work here may qualify as forgotten masterpieces but there is so much to savour and admire that it does...
Reviewed by Jeremy Nicholas in issue: 13/2004
Though these two new recordings of the Bach Cello Suites sound rather different, reading the two artists’ booklet essays reveals...
Reviewed by Lindsay Kemp in issue: 7/2007
We’ve all known‚ and perhaps been guilty of‚ the musical snobbery which purports to have no time for such things...
Reviewed in issue 5/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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