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Review of Ravel: Mélodies

Ravel: Mélodies

I don't recall another version of Sheherazade recorded in the piano version, made in 1903 (the orchestral version dates from...

Reviewed by Alan Blyth in issue: 9/1988

Review of Rothschild's Violin

Rothschild's Violin

This is something of an event for followers of Shostakovich and Soviet music. Venyamin Fleyshman (or, in less scholarly form,...

Reviewed in issue 4/1997

Review of Beethoven: Early String Quartets

Beethoven: Early String Quartets

Hans Keller, that ardent opponent of the gramophone record did admit that recordings have one advantage L the case of...

Reviewed by Stephen Johnson in issue: 4/1990

Review of Berlioz Orchestral Works

Berlioz Orchestral Works

The Symphonie fantastique was born out of Berlioz's experiences with the quarrel between classicists and romantics over Shakespeare, and as...

Reviewed by John Warrack in issue: 11/1994

Review of Tchaikovsky 1812 Overture; Moscow Cantata; Slavonic March

Tchaikovsky 1812 Overture; Moscow Cantata; Slavonic March

Expect to hear a whole lot of the Russian National Anthem in this collection of festive Tchaikovsky. The pieces were,...

Reviewed by Edward Seckerson in issue: 12/2010

Review of Sullivan HMS Pinafore

Sullivan HMS Pinafore

Of all the major Gilbert and Sullivan two-act works, this is the one that Telarc was always going to have...

Reviewed by Andrew Lamb in issue: 1/1995

Review of Handel Rinaldo

Handel Rinaldo

Naxos’s first foray into Handel opera is the composer’s spectacular first London opera, performed at the Queen’s Theatre in 1711....

Reviewed by David Vickers in issue: 5/2006

Gramophone Classical Music Awards Winner
Review of Puccini (La) Boheme

Puccini (La) Boheme

Dating from 1965‚ this is a thoroughly old­fashioned opera film. As was often Karajan’s practice‚ the singers mime to their...

Reviewed in issue 10/2002

Review of Sibelius (The) Tempest

Sibelius (The) Tempest

This new release contains BIS’s second complete recording of Sibelius’s Op 109: the Overture and two concert Suites (each of...

Reviewed by Guy Rickards in issue: 1/2012

Review of Classical Violin Sonatas

Classical Violin Sonatas

The 18-year-old Siberian-born Maxim Vengerov now lives in Israel. Winner of the 1990 Carl Flesch Competition, he had previously appeared...

Reviewed by James Methuen-Campbell in issue: 3/1993


 

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