Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Giulini was 59 when he first conducted Schubert’s Great C major Symphony at the 1973 Edinburgh Festival. Four years later,...
Reviewed by Richard Osborne in issue: 8/2004
Although Haitink's digital Amsterdam account with Roberta Alexander has not been withdrawn, this new Berlin version will undoubtedly find an...
Reviewed in issue 2/1994
This latest in ECM's continuing series of music by Arvo Part strikes me as being the best to date. That...
Reviewed in issue 1/1992
You will go a long way to hear a Ravel recital as single-minded or cruelly masterful as this. For, make...
Reviewed by Bryce Morrison in issue: 3/1995
Philips have deleted (temporarily I hope) the 1958 live Richter (11/88) which I, and I see SJ too, have found...
Reviewed in issue 3/1992
The real find here is the Bloch Four Episodes, the first of which – “Humoresque macabre” – suggests a wizened...
Reviewed in issue 12/1997
After teaching in Tiflis and Kiev, Heinrich Neuhaus, a pupil of the great Godowsky, became famous as a professor for...
Reviewed by Lionel Salter in issue: 8/1994
This is Weissenberg’s personal selection, and a wide-ranging, richly fascinating choice it is too. No Schumann and none of his...
Reviewed by Jeremy Nicholas in issue: 9/2004
Duration isn't everything, I realize, but congratulations must go to ASV for providing such a well-filled disc, and for finding...
Reviewed by Stephen Johnson in issue: 4/1991
Back in April I was reviewing, with considerable enthusiasm, Julian Lloyd Webber’s generous mid-price compilation of ‘Favourite Cello Concertos’. Now...
Reviewed by Ivan March in issue: 6/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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