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Review of Amarcord - Madrigals

Amarcord - Madrigals

The term “madrigal” is used loosely in this collection of 16th-century songs in several languages. Here are many familiar “hits”,...

Reviewed by Fabrice Fitch in issue: 6/2007

Review of New York Legends - Lorne Munrow

New York Legends - Lorne Munrow

Principal Cello of the NYPO for 32 seasons until his retirement in February 1996, Lorne Munroe is a consummate artist,...

Reviewed by Andrew Achenbach in issue: 11/1998

Review of Barbirolli - Victor Recordings

Barbirolli - Victor Recordings

This issue not only offers further evidence of the notable standards achieved by John Barbirolli during his New York Philharmonic...

Reviewed by Andrew Achenbach in issue: 9/1998

Review of Haydn: Welsh Folksong Arrangements

Haydn: Welsh Folksong Arrangements

The idea of Celtic revival is not unique to this decade. As Britain launches into its summer of Celtic celebrations,...

Reviewed by hfinch in issue: 10/1991

Review of Music for flute and piano

Music for flute and piano

Susan Milan and Clifford Benson seem to form an ideal partnership, exploring this French repertoire exceedingly sympathetically. The actual flute...

Reviewed in issue 8/1983

Review of Shostakovich String Quartets Nos 3, 7 & 8

Shostakovich String Quartets Nos 3, 7 & 8

Reviewed by David Gutman in issue: 1/1999

Review of Bach. Violin Concertos

Bach. Violin Concertos

I enjoyed these performances when I reviewed them recently as part of a two-LP set. Now comes the CD which...

Reviewed by Nicholas Anderson in issue: 2/1987

Review of Alkan Esquisses Op 63

Alkan Esquisses Op 63

Here is a superlative record of music to confound the sceptics, including Steven Osborne himself who, in his witty and...

Reviewed by Bryce Morrison in issue: 9/2003

Review of Britten Orchestral Works

Britten Orchestral Works

It is good to see that the BBC Symphony Orchestra is making regular visits to the recording studio with its...

Reviewed in issue 8/1991

Review of Verdi Sacred Works

Verdi Sacred Works

The Pater noster and Ave Maria of 1880 and the ‘Libera me’ from the composite Messa per Rossini (later the...

Reviewed by Edward Greenfield in issue: 2/2001


 

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