Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This is not a disc to be listened to all at once. Subtitled “The Age of the Diva”, it is...
Reviewed by Patrick O'Connor in issue: 11/2006
Boulez’s Stravinsky recordings from the 1990s have had a mixed press. Michael Oliver found his Cleveland Petrushka and Rite of...
Reviewed in issue 12/2001
With Pollini on top form in a recital of this range to savour, my feeling is there’s no one to...
Reviewed by Stephen Plaistow in issue: 9/2002
Muscular, plain-speaking and full of determination, the opening piano flourishes in the E flat Concerto announce Barry Douglas's intentions. He...
Reviewed in issue 8/1990
The Cappella Coloniensis is not an orchestra which I have heard more than a handful of times in the past...
Reviewed by Nicholas Anderson in issue: 4/1985
Luciano Berio is one of the leading figures from the great, innovative generation of composers born in the 1920s –...
Reviewed by Arnold Whittall in issue: 3/2003
Not a note of Bach’s St Mark Passion exists, but we know it existed once and that it was a...
Reviewed by Jonathan Freeman-Attwood in issue: 10/2000
Adding yet more versions to the well stocked discography of the Quartet for the End of Time is surely not...
Reviewed by Arnold Whittall in issue: 10/2008
This is a smartly packaged box and an enterprising release, bringing together the complete works of Fauré for strings and...
Reviewed by Harriet Smith in issue: 12/2011
Sawallisch's excellent performance of the cycle with the Suisse Romande on RCA comes on a single CD, and I can...
Reviewed by John Warrack in issue: 10/1989
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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