Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Sixteen French lute songs from the sixteenth century, concerned with the usual gamut of fallings in or out of love,...
Reviewed by John Duarte in issue: 1/2000
The appearance of this new recording of Rubbra’s Violin Concerto is both welcome and timely, given that previous versions from...
Reviewed by Andrew Achenbach in issue: 11/2005
After Schubert and Schumann, now Fauré – Graham Johnson and Hyperion embark on another, somewhat shorter, song journey. This is...
Reviewed by Bryce Morrison in issue: 3/2005
No problems here with the numbering of the Second Quartet that marred Naxos’s otherwise excellent recent release. Chandos get all...
Reviewed by Guy Rickards in issue: /2000
Well, here's a surprise: this super-bargain version enters the lists and—to mix a metaphor—virtually jumps to the top of the...
Reviewed by Alan Blyth in issue: 9/1993
Except for the Mirages, which John Ogdon once included in a mixed recital programme (EMI; on LP only—nla), these pieces...
Reviewed by Lionel Salter in issue: 3/1987
When I reviewed the mid-price reissue of the Schwarzkopf/Fischer-Dieskau set six years ago, I expressed surprise that this collection had...
Reviewed in issue 8/1995
This CD is living evidence of Martha Argerich’s claim, “I never knew anyone so gifted or extraordinary as Friedrich Gulda”....
Reviewed by Bryce Morrison in issue: 3/2009
The time seems just ripe for the revival of interest in the Malcolm Arnold symphonies. With the George Lloyd canon...
Reviewed by Ivan March in issue: 11/1990
Rachmaninov’s playing presents the listener with a strange but delicious paradox. On the one hand, it is individualistic virtually to...
Reviewed in issue 10/1998
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.