Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Martin Helmchen, born in 1982, is the young pianist who won the Clara Haskil Prize in 2001, and who has...
Reviewed by Edward Greenfield in issue: 9/2009
An issue of great interest to collectors of byways of the Romantic repertory. Neither of these works is a masterpiece...
Reviewed by John Warrack in issue: 3/1985
Paisiello wrote eight piano concertos, two in Russia in the early 1780s (when he also wrote his Il barbiere di...
Reviewed by Stanley Sadie in issue: 9/2004
Although he has made some fine records, Igor Oistrakh must always have sensed his father's shadow somewhere in the background...
Reviewed by Ivan March in issue: 4/1994
Listeners to his Requiem will recognise Duruflé’s conservative and intensely personal musical language as heard in his organ music. The...
Reviewed by Christopher Nickol in issue: 2/2003
The Medtner sonata is the principal work here. Of the three that he wrote the Third (Epica) is perhaps the...
Reviewed by Michael Stewart in issue: 2/1997
It is good to see that there are now a reasonable number of versions of the Triple Concerto available for,...
Reviewed in issue 6/1986
The outstanding contribution to this set comes from Gilles Cachemaille, a singer with Berlioz’s style at his fingertips and the...
Reviewed by John Warrack in issue: 10/1996
During the inter-war years Frida Leider commanded a devotion, particularly among audiences at Covent Garden, matched only by their appreciation...
Reviewed by John Steane in issue: 7/2003
Panambi, a ballet on a supernatural legend of the Guarani Indians, was the first work that Ginastera acknowledged (dismissing earlier...
Reviewed by Lionel Salter in issue: 1/1999
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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