Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Though you have Slavonic musicians here playing Slavonic music, the results are not quite traditionally Czech, with refinement and crispness...
Reviewed by Edward Greenfield in issue: 11/1995
Schubert year is off to a bumper start. It might be interesting, if Karajan were still with us, to hear...
Reviewed by John Steane in issue: 3/1997
Considering the sheer amount of French Baroque repertoire on disc these days, it seems odd that it has taken so...
Reviewed by Lindsay Kemp in issue: 3/2010
Whether or not the obvious clicking we hear throughout the first six minutes of Miserere is the sound of a...
Reviewed by Marc Rochester in issue: 3/1995
Nicholas Maw’s originality may not be the kind that leaps up and yells in your face; but original he certainly...
Reviewed by Stephen Johnson in issue: 10/1997
The loyalty which Chandos have shown to Gliere comes under some strain on this record, most of all in the...
Reviewed by John Warrack in issue: 6/1997
Virtuosity defines itself – that’s part of its allure. You can’t fabricate it or force it or pin it...
Reviewed in issue 13/2002
It is a sign of the times, that a new recording of Tchaikovsky's Fifth Symphony, like the compilations of reissue...
Reviewed by Edward Greenfield in issue: 5/1990
We have Peter Moores and Patric Schmid (of Opera Rara) to thank for many operatic pleasures on disc, none more...
Reviewed by Alan Blyth in issue: 3/2004
This is the most exciting debut disc to come my way for some time. Oxana Shevchenko (born in 1987) swept...
Reviewed by Jeremy Nicholas in issue: 4/2011
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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