Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Why, I wonder, has it taken BIS so long to release these recordings (made between May 1998 and June 1999)?...
Reviewed by Guy Rickards in issue: 2/2004
Even by his strongest advocates Tchaikovsky's G major Sonata has been adjudged a failure guilty of note-spinning without due care...
Reviewed in issue 11/1989
Recital albums of Mozart’s tenor arias are astonishingly rare, so kudos to Jeremy Ovenden and Jonathan Cohen for conveying the...
Reviewed by David Vickers in issue: 13/2011
The first volume of Bach violin sonatas from Jacqueline Ross and David Ponsford (5/02) offered a refreshing change to the...
Reviewed by Lindsay Kemp in issue: 12/2002
In 2006 DG released Friedrich Gulda’s “lost” Mozart tapes in the form of 10 sonatas and the C minor Fantasia...
Reviewed by Jed Distler in issue: 1/2008
Gerard Schurmann’s impressive and hugely entertaining Concerto for Orchestra is fairly recent (1996: written for the centenary of the Pittsburgh...
Reviewed in issue 13/2002
Completed in 1899, The Garden of Proserpine was Vaughan Williams’s first large-scale composition, a 24-minute setting for soprano, chorus and...
Reviewed by Andrew Achenbach in issue: 10/2011
Thepros and cons of live recording have often provoked discussion at our ''Sounds in Retrospect'' listening sessions. Probably though, none...
Reviewed in issue 8/1984
This two-act opera dates from the year after Philip Glass’s Akhnaten but is little known, although there were several productions...
Reviewed by Peter Dickinson in issue: 8/2009
How interesting it would be to be able to hear Vincent d’Indy’s score of Monteverdi’s Orfeo, or Hindemith’s for that...
Reviewed by Iain Fenlon in issue: 7/1998
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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