Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Telemann is never more irresistible than when he is in light-hearted pictorial mode, and both these new releases feature one...
Reviewed by Lindsay Kemp in issue: 13/2003
Peter Hall’s 1987 staging for Glyndebourne‚ also directed by him for video‚ was recorded without an audience‚ enabling him to...
Reviewed in issue 10/2001
Rameau's comedie-lyrique, Platee, one of two such works from his pen, was first staged at Versailles in 1745 as part...
Reviewed by Nicholas Anderson in issue: 9/1990
Not very much of Boris Tishchenko’s substantial list of works has so far appeared on record. It includes ten piano...
Reviewed by John Warrack in issue: 9/2004
In the Dvorak, Masur's typically Austro-German approach—as ever, one of gripping integrity—yields a few surprising echoes of Bruckner along the...
Reviewed by John Steane in issue: 12/1994
The leonine growl that prefaces Elgar’s most introspective orchestral masterpiece is played here with uncompromising defiance, whereas the weary solo...
Reviewed in issue 1/1998
Schoenberg was a great admirer of Brahms's music, and saw himself as a natural successor to the German romantic school....
Reviewed in issue 6/1992
Recorded live in Berlin in December 1995 and March 1996, these performances compensate in spontaneity and animation what they sacrifice...
Reviewed by Tim Parry in issue: 10/1997
This really is most appealing. Both soloists were hitherto unknown to me and the accompanying booklet, alas, ensures that they...
Reviewed by hfinch in issue: 4/1994
Even from the first movement’s opening bars, you sense you are in line for an exceptional Op. 130. The dramatic...
Reviewed in issue 11/1999
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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