Review - Charles Ives: The RCA and Columbia Album Anthology
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
There’s very little to say about this disc save that if you appreciate the talents of an extraordinarily gifted percussionist...
Reviewed in issue 7/1996
The Lustige Sinfonietta (''Merry Sinfonietta'') was one of the pieces in which the 21-year-old Hindemith (until then making the beginnings...
Reviewed by Michael Oliver in issue: 9/1989
The Indian Princess, telling the story of Captain John Smith and the Princess Pocahontas, was announced as an Operatic Melo...
Reviewed in issue 12/1996
Heifetz is very much in the driving seat in this performance of the Quintet, which I would describe as essentially...
Reviewed by Joan Chissell in issue: 4/1989
For the utterly charming fantasy-romance The Ghost and Mrs Muir (1947) Herrmann supplied one of his most appealing scores, full...
Reviewed in issue 1/1998
The lonely, brooding solo line at the start of Prokofiev’s Second Concerto evokes a haunting atmosphere in this interpretation by...
Reviewed by Geoffrey Norris in issue: 4/2011
French string quartets tend to come in ones; think of those by Ravel and Debussy (both early works), Magnard, Roussel,...
Reviewed by Guy Rickards in issue: 4/2007
Composed when Mozart was 12, Bastien und Bastienne is his second opera; he already had La finta semplice, a more...
Reviewed by Stanley Sadie in issue: 1/1991
Nigel Kennedy’s return to The Four Seasons (EMI, 12/03) was notable for being considerably more restrained than many might have...
Reviewed by Lindsay Kemp in issue: 1/2005
Richard Goode is due to play all the Beethoven sonatas in London this year—his first recital, at the South Bank,...
Reviewed by Stephen Plaistow in issue: 3/1994
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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