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Review of Schubert Piano Sonatas

Schubert Piano Sonatas

Schnabel may still be regarded as a classic—for some the classic D960, but it is fascinating how the general feeling...

Reviewed by Stephen Johnson in issue: 11/1994

Review of Schumann Symphonies

Schumann Symphonies

Riccardo Muti's Schumann is masterful, disciplined and strong, mainstream in its choice of tempos, and mindful of the occasional thickets...

Reviewed by John Steane in issue: 1/1995

Review of Britten the Performer - Britten/Fauré/Purcell/Schubert/Schumann

Britten the Performer - Britten/Fauré/Purcell/Schubert/Schumann

Britten chafed at his concert engagements and suffered dreadfully from nerves on the day of performance. He nevertheless played and...

Reviewed in issue 8/1999

Review of VERDI Falstaff

VERDI Falstaff

These two vitally idiomatic performances of Verdi’s crowning masterpiece, both deriving from radio performances, took place within six months of...

Reviewed by Alan Blyth in issue: 8/2000

Review of From Stanley to Wesley Vol 6

From Stanley to Wesley Vol 6

This begins with something as archetypally English as over-cooked roast beef and Yorkshire pudding—the sound of a well-rounded Open Diapason...

Reviewed by Marc Rochester in issue: 11/1991

Review of Haydn: Violin Concertos

Haydn: Violin Concertos

Compared with Mozart, Haydn is scarcely at all thought of as a composer of concertos, save perhaps by specialists. Nevertheless,...

Reviewed by Christopher Headington in issue: 1/1990

Review of Harvey, J Chamber Works

Harvey, J Chamber Works

Trio Fibonacci are an enterprising Canadian ensemble and ATMA Classique is an enterprising Canadian label. This CDÊ–Êrecorded in Montreal in...

Reviewed in issue 12/2001

Review of Puccini Manon Lescaut

Puccini Manon Lescaut

Manon Lescaut has been fortunate in the recording studio. Apart from three older recordings featuring Maria Callas, Renata Tebaldi and...

Reviewed by Michael Oliver in issue: 5/2000

Review of Pettersson Symphony No 8

Pettersson Symphony No 8

Allan Pettersson (1911-80) studied composition under Karl-Birger Blomdahl and Otto Olsson at the Stockholm Conservatoire and with Arthur Honegger and...

Reviewed by rgolding in issue: 10/1994

Review of Haydn Cello Concertos

Haydn Cello Concertos

Harnoy's technique in phenomenal and it can be especially admired in the very difficult cadenza in the first movement of...

Reviewed in issue 10/1986


 

Hi-Fi, Books, Reissues & Archive Reviews

Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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