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Krein Songs from the Ghetto

The cover artwork for this CD is at once both apposite and a little misleading: a sepia-tinted photograph taken of...

Reviewed by Rob Cowan in issue: 11/2003

Susan Graham - French Operetta Arias

‘Where‚’ asks James Harding in the introduction to his Folies de Paris‚ The Rise and Fall of French Operetta (Chappell:...

Reviewed in issue 5/2002

W.Schuman The Mighty Casey; A Question of Taste

The Mighty Casey is subtitled ''a baseball opera'' and without a knowledge of the rules of that game you won't...

Reviewed by Michael Oliver in issue: 9/1994

Mozart Serenade No 10,K361; Divertimento No 3, K166

Ensemble Zefiro offer a cool and finely polished reading of the Tenth Serenade for 13 instruments. Their articulation is clear...

Reviewed by Stanley Sadie in issue: 11/1997

Music for The Lion-Hearted King

This is rather special. Not so much for the exceptional purity of intonation and balance that have always been characteristic...

Reviewed by David Fallows in issue: 10/1989

Offenbach Arias and Overtures

Frederica von Stade moves with grace and majesty through these numbers written for a range of Offenbach leading ladies. The...

Reviewed by Andrew Lamb in issue: 2/1996

Schumann Symphonies

Right from the Spring Symphony's opening fanfare there is no doubt that Masur's Schumann means business. Bracing and boldly sounded,...

Reviewed by John Steane in issue: 2/1991

Brahms Piano Works

I recently reviewed Idil Biret's latest Brahms recital in her series for Naxos and welcomed her recording of the Five...

Reviewed by Christopher Headington in issue: 3/1995

Schumann Piano Works

It is interesting to note that Earl Wild uses a Baldwin piano in ''The Art Of The Transcription'' and a...

Reviewed by James Methuen-Campbell in issue: 2/1989

Bach Family Oboe Concertos

Bach is represented by a 20th-century reconstruction for oboe d'amore (BWV1055R) from his only surviving version of the work for...

Reviewed by Nicholas Anderson in issue: 3/2000

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