Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This latest release from the annual Rossini festival in Wildbad in southern Germany is one of its more successful, and...
Reviewed by Richard Osborne in issue: 11/2020
Updating Figaro is always likely to minimise the class tensions that underlie this most humane and (potentially) poignant of musical...
Reviewed by Richard Wigmore in issue: 11/2020
We already know Mlle Cloclo – or do we? Along with Lolo, Margot, Froufrou and the rest, isn’t she one...
Reviewed by Richard Bratby in issue: 11/2020
Henze was 32 in 1958 when he wrote Der Prinz von Homburg, five years into his self-imposed Italian exile and...
Reviewed by Peter Quantrill in issue: 11/2020
That Cesti’s La Dori had such a varied performance history says something about the changing tastes of 17th-century opera audiences....
Reviewed by Iain Fenlon in issue: 11/2020
Born in St Petersburg to Swedish parents in 1840, Ingeborg Lena Starck studied piano and composition, completing her studies with...
Reviewed by Mark Pullinger in issue: 11/2020
A temporary reduction of music-making at the Vienna court during the War of the Spanish Succession prompted a group of...
Reviewed by David Vickers in issue: 11/2020
Here’s a tonic for a melancholy year: a one-act comic opera by Malcolm Arnold, unstaged in the composer’s lifetime and...
Reviewed by Richard Bratby in issue: 11/2020
Ian Page and The Mozartists’ second dip into the Classical-era repertoire subset called Sturm und Drang alights on the sine...
Reviewed by David Threasher in issue: 11/2020
I find it a little odd that Rolando Villazón brings so much of the opera house with him to this...
Reviewed by Andrew Farach-Colton in issue: 11/2020
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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