Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
In Ned Rorem’s End of Summer (1985) for clarinet, violin and piano, dramatic juxtapositions seem to be the work’s organising...
Reviewed by Andrew Farach-Colton in issue: 4/2003
As we head into the home straight of a project which started nearly 15 years ago, Masaaki Suzuki offers three...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2009
For artists at the beginning of a career a recording these days is like a visiting card: if you leave...
Reviewed by Stephen Plaistow in issue: 1/1996
This account of Debussy's Violin Sonata begins almost apologetically, considering the first movement is marked Allegro vivo. Yet Lorraine McAslan...
Reviewed by Christopher Headington in issue: 6/1991
''I certainly look forward to more Chopin from this sensitive artist'' was how I ended my review of Seta Tanyel's...
Reviewed by Joan Chissell in issue: 4/1994
There hasn't been a lot to laugh about recently, but there are, I'm happy to say, one or two laughs...
Reviewed by Richard Osborne in issue: 5/1991
The smallness of the viola repertory (astonishingly small compared with the violin's or even the cello's) must be frustrating to...
Reviewed by Christopher Headington in issue: 12/1991
Here is one of the most delightful singers of our time heard in a programme that extends her repertoire on...
Reviewed in issue 11/1998
Danielle de Niese has made her name singing Monteverdi, Rameau and Handel so perhaps it’s unsurprising that the earliest works...
Reviewed by Peter Quantrill in issue: 12/2009
Gunnar de Frumerie (1908-87) was no more a one-work composer than was his contemporary and compatriot Dag Wirén, but his...
Reviewed by Guy Rickards in issue: 3/2004
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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