Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
If Michel Corrette was a little over-enthusiastic in crediting Corelli with the invention of both sonata and concerto form as...
Reviewed by Tess Knighton in issue: 9/1990
One of the themes that runs, with little variation, through the various commentaries on Mozart's piano concertos concerns the supposed...
Reviewed by Stanley Sadie in issue: 7/1988
Xiaogang Ye (b1955) is a member of The New Tide group of Chinese composers. He founded the first independent new...
Reviewed by bwitherden in issue: 11/2004
Those who heard this young Dutch violinist play The Lark Ascending at the Proms in July will appreciate that here...
Reviewed by Edward Greenfield in issue: 11/2003
Valerie Tryon is an accomplished and sensitive guide in these wonderful song transcriptions, adept at projecting the melodic lines and...
Reviewed by Tim Parry in issue: 11/1998
Though the Staatskapelle Dresden is arguably the world’s pre-eminent Richard Strauss ensemble, it has only once recorded Aus Italien. That...
Reviewed by Richard Osborne in issue: 13/2010
Elegantly mixing the miniature and large-scale, the radiant and despondent, Thibaudet shows himself a genial, stylish and enviably fleet Chopin...
Reviewed by Bryce Morrison in issue: 12/1999
Such highly embellished and individually shaped performances make a good case for these early Handel concertos. Whilst Anthony Camden –...
Reviewed by Jonathan Freeman-Attwood in issue: 5/1997
Osmo Vänskä launches his Nielsen symphony cycle for BIS with a freshly conceived‚ keenly pondered and invigorating account of the...
Reviewed in issue 4/2002
I often find performances of Debussy's piano music to be musically bland with an unbalanced emphasis on 'keyboard colour'. Nobody...
Reviewed by James Methuen-Campbell in issue: 3/1989
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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