Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Compelling and absorbing performances, and proof that Roger Woodward's interpretative powers extend far beyond the confines of the contemporary, avant-garde...
Reviewed by Michael Stewart in issue: 10/1992
Completed on the day that Mozart became a Freemason, the F major Concerto is a delightful piece and mainly happy...
Reviewed by Christopher Headington in issue: 11/1991
Shlomo Mintz and his colleagues give a vividly energetic, virtuoso performance, its one slightly questionable aspect, a very slow account...
Reviewed by Michael Oliver in issue: 6/1997
As the splendid gallery of photographs in Erato’s booklet reminds us‚ the beautiful Italian soprano has won plaudits as Donna...
Reviewed in issue 9/2001
Saturated in Beethoven, youthfully experimental – these are still two of the finest string quartets written in the nineteenth century....
Reviewed by Stephen Johnson in issue: 9/1998
One of the leading virtues of EMI's Debut series is its programming policy, where the tried-and-tested rubs shoulders with the...
Reviewed by Rob Cowan in issue: 4/2000
I am curiously dissatisfied by this latest offering in Nimbus’s Bach series. There is so much to praise that it...
Reviewed by Marc Rochester in issue: 1/1999
Andresen, the template for so many Scandinavian basses, was principal at the Berlin State Opera and Bayreuth from 1927 to...
Reviewed by Alan Blyth in issue: 1/1997
Here’s an interesting discovery, and then some. After 23 years’ teaching singing and theory in Helsinki, with a sideline as...
Reviewed by David Fanning in issue: 9/2005
The sparse, allusive texts of Samuel Beckett have often attracted the attention of composers, including the more-jazz-than-not of Michael Mantler’s,...
Reviewed by rthomas in issue: 10/1998
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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