Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Leonard Slatkin conducts the briskest Belshazzar in years. When we have had so recent a reminder of the composer's own...
Reviewed by Edward Greenfield in issue: 9/1992
Why did Puccini and his librettist Giuseppe Adami decide to rewrite the third act of La Rondine? Was it because...
Reviewed by po'connor in issue: 12/2009
Abbado conducts a strong performance of the Tannhäuser overture, with the pilgrims pacing on their way in a particularly solemn...
Reviewed by John Warrack in issue: 11/2003
Peter Bradley-Fulgoni is a product of London’s Royal Schools of Music and the winner of several modest, college and domestic...
Reviewed by Bryce Morrison in issue: 3/2004
Antonin Tucapsky features in the catalogue as the conductor of some fine performances of Janacek with the Moravian Teachers Choir;...
Reviewed by John Warrack in issue: 7/1996
Edwin Fischer’s 1933-36 HMV set of Bach’s 48 was the first recording by a pianist of the set, and it...
Reviewed in issue 5/2001
The third volume of Howard Shelley’s invaluable survey of Clementi piano sonatas confirms every expectation. Once more you are left...
Reviewed by Bryce Morrison in issue: 6/2009
Much has happened to baroque music practice since these performances of Bach's Motets were first issued 21 years ago. The...
Reviewed by Nicholas Anderson in issue: 6/1993
‘Two CDs for the price of one’ proclaims the sleeve of these live and seismic experiences, but they would be...
Reviewed by Bryce Morrison in issue: 2/2001
If Richard Strauss had been compelled to go before a denazification tribunal, he would have needed only to play it...
Reviewed in issue 4/1988
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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