Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In his review five years ago, RG commended the high quality of the playing but regretted that the trio sonata...
Reviewed by Nicholas Anderson in issue: 1/1986
It is difficult to conduct Brahms's German Requiem without drawing attention to its often sanctimonious nature. Bernard Shaw—who disliked Brahms...
Reviewed by Richard Osborne in issue: 9/1985
It is 16 years since Tortelier recorded the Elgar concerto for EMI with Boult in a performance that had always...
Reviewed in issue 3/1989
Aside from an elderly Pearl recording of No. 1 by the USSR SO under Ivanov (GEMM195, 12/81), the Gramophone Classical...
Reviewed in issue 6/1985
The authors of the Penguin Guide declared the cycle from which these performances derive as being ''As sound, the finest...
Reviewed by Richard Osborne in issue: 11/1995
There’s no doubt that Vadim Repin is a powerful virtuoso. He accomplishes the most complex violinistic tasks in great style,...
Reviewed by DuncanDruce in issue: 11/1999
Things that don't fit neatly into pigeonholes have always had a hard time, and so it has been with the...
Reviewed by John Duarte in issue: 1/1992
Though regulated by no Grand Plan, the recording of Vivaldi's with-wind chamber works on Compact Disc progresses apace so let...
Reviewed by John Duarte in issue: 2/1990
You probably have to be a cello addict to get much from this disc. Much of it consists of little...
Reviewed by David Fanning in issue: 5/2003
The elegiac autumnal conservatism that has made Miaskovsky’s Cello Concerto such a firm favourite (on disc at least) in recent...
Reviewed by David Gutman in issue: 7/2000
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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