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Review of Brahms Complete Lieder Edition, Vol. 6

Brahms Complete Lieder Edition, Vol. 6

Of all the leading composers of Lieder‚ Brahms suffers more than any other through neglect‚ with so little of his...

Reviewed in issue 13/2002

Review of Tchaikovsky: Orchestral works

Tchaikovsky: Orchestral works

There is no doubt that this is a thrilling 1812. It has plenty of thrust and is extremely well played....

Reviewed by Ivan March in issue: 10/1986

Review of An Italian Songbook Cecilia Bartoli

An Italian Songbook Cecilia Bartoli

The transforming power of imagination is rarely shown so clearly. On record and in recital these songs and their like...

Reviewed in issue 11/1997

Review of Noel Coward Album

Noel Coward Album

Every month seems to bring another significant CD from Bostridge. This one takes him into new territory – the songs...

Reviewed by Alan Blyth in issue: 11/2002

Review of Berg Orchestral & Chamber Works

Berg Orchestral & Chamber Works

This is an extraordinary issue of more than mere documentary interest. Older readers may remember hearing during the war Louis...

Reviewed by Robert Layton in issue: 6/1991

Gramophone Classical Music Awards Winner
Review of Bruckner Symphony No 7

Bruckner Symphony No 7

Since there are no recommendable budget, let alone super-budget recordings of Bruckner’s Seventh Symphony (the two listed above are both...

Reviewed by Richard Osborne in issue: 4/1999

Review of Conti Cantate con istromenti, Nos 1 - 4

Conti Cantate con istromenti, Nos 1 - 4

A ubiquitous Viennese figure in the early 1700s, Francesco Conti was one of several gifted Italian Baroque composers who settled...

Reviewed by Jonathan Freeman-Attwood in issue: 2/2003

Review of Rachmaninov/Tchaikovsky Piano Concertos

Rachmaninov/Tchaikovsky Piano Concertos

Charles Dutoit conducts the famous version of the Tchaikovsky B flat minor Concerto for Argerich on DG, but he has...

Reviewed by Ivan March in issue: 1/1988

Review of Strauss, R - Operatic Scenes

Strauss, R - Operatic Scenes

This disc opens in a spectacular fashion. Elektra’s great cry “Sei verflucht!” comes out of nowhere, followed by an almighty...

Reviewed by Richard Fairman in issue: 9/2010

Review of Wagner Arias

Wagner Arias

Here are nuggets of Dame Gwyneth in her most notable Wagner roles, for which her followers and friends will be...

Reviewed by Alan Blyth in issue: 2/1992


 

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