Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This is an ironic title at a time when the Adriatic tides seem to be washing ever more alarmingly over...
Reviewed by Jonathan Freeman-Attwood in issue: 6/1999
It makes good sense to couple Lutoslawski’s most explicitly backward-looking later work with something comparably retrospective by Szymanowski. Even though...
Reviewed by Arnold Whittall in issue: 4/1997
The plot of The haunted manor is quite breathtakingly daft: it turns very largely upon whether the dwor, the manor...
Reviewed by Michael Oliver in issue: 1/1987
Hard on the heels of huge multi-CD special editions dedicated to Bach, Mozart, Vivaldi, Karajan and Bernstein comes yet another...
Reviewed in issue 5/1991
The Swiss-based company of Jecklin may be unfamiliar to many readers in Britain. They mainly specialize in repertoire that is...
Reviewed in issue 9/1986
Duphly's music belongs to the final stage of the French harpsichord school. Between 1744 and 1768 he published four volumes...
Reviewed by Nicholas Anderson in issue: 2/1987
You needn’t reproach yourself for not knowing Marcello’s Op 3. No published copy exists – nor is there any certainty...
Reviewed in issue 10/2001
For a symphony that might still be said to represent, in RL’s phrase, “a lowering of the symphonic sights”, the...
Reviewed in issue 3/1998
Numerous recordings of Vivaldi’s church music invent a hypothetical Vespers context. The newest such flight of liturgical fancy conducted by...
Reviewed by David Vickers in issue: 8/2011
Isabelle van Keulen’s sense of poetry and warm tone are shown to good advantage in the first of Clara Schumann’s...
Reviewed in issue 5/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.